Friday, September 27, 2013

68 Wedding Photography Tips

Originally posted by Improve Photography
Groom looking at camera for a wedding photo
It's wedding time!
This is the largest collection of wedding photography tips to ever be assembled on one page of the Internet.  My hands hurt from typing it, but you can help to ease my pain by sharing this on Facebook and Pinterest after you’re done gorging yourself on these wedding photography tips.
Thanks to the awesome group of photographers on the Improve Photography Facebook Page who pitched in with tips to help me get to 68.   I’ve credited each of them in the article.
Wedding Photography Tip #1: Wear comfy shoesYou’re going to walk like you wouldn’t believe as a wedding photographer on a wedding day.  Sure, the Stilettos might look good at the wedding reception, but you’ll be the grumpiest wedding photographer on the planet.
Wedding Photography Tip #2: Take out Uncle Bob early with a sharp elbow to the stomach!It’s funny, but I have seen “Uncle Bob” ruin more wedding photos than you could possibly believe.  What I mean by this is that there will (almost) always be someone in the wedding party who likes to get in the way.  They either tell people how to pose while you’re trying to get everyone in the right spot, or they step in front of you to take pictures, etc.  The wedding photographer must be CONFIDENT and take charge.  Simply saying something like “Thanks for your help.  I’m trying to do something a little different here.  Is it all right with you if I go ahead and get the posing set up here?”  It might seem forward, but your couple will be glad to see you moving quickly and getting the photos done correctly.  (Thanks Julie Gallagher)
Wedding Photography Tip #3: Have a frank talk about seeing the brideSome couples are very serious about the tradition of the groom not seeing the bride before the wedding day.  I like to sit couples down and explain that I really NEED at least an hour just with the couple (nobody else in the wedding party) in order to get a decent album together.  Once they realize that they need to commit to this much time and see they can’t fit it in the wedding day plans, they are usually open to doing a shoot the day before the wedding all dressed up.  It gives the bride a chance to try her hair and makeup out, and you’ll have unlimited time with the couple to nail the wedding photos.
Two little girls kissing a bride on her wedding day
Don't miss the bride with her siblings--including the little ones!
Wedding Photography Tip #4: Avoid the number one complaint of brides about the photographerMore than any other complaint I hear from brides is that the photographer missed getting a certain photo (such as the bride with her high school roommate, her little sister in the pink dress, etc).  The best way to avoid this is to simply meet with the bride before the wedding and have her create a shoot list.  You can even bring some sample photos (perhaps on an iPad?) to the meeting and have her select a few poses she really wants.  Write down the bride’s shot list and mark each one off on wedding day.  I usually end up with about 15 “must have” shots.
By doing it this way, the bride takes ownership over what “must have” shots are taken, so no vital shots are missed.  (Thanks Rozane Fulton)
Wedding Photography Tip #5: Change lenses for changed expressionsIf you notice that you aren’t getting the bride and groom to relax and interact with each other while you’re taking photos, the best thing you can do is to switch to a longer lens (like 200mm) and scoot way back.  The couple will naturally begin to interact with each other and you’ll be able to get the shot since you’re out of their way.  This is my favorite way to START a wedding shoot of the couple.  By starting far away, they feel like it’s just them and they can get used to the camera from a distance.
Wedding Photography Tip #6: Get the names!When you meet with your bride to get your shoot list, ask for the name and cell phone number of the maid of honor and the best man.  They are usually part of the planning and are important people to be able to call by their first name during the event.
Wedding Photography Tip #7: Guess What!  Wedding dresses are white.Yep, it’s true… and it has been true for over 150 years.  If you want the dress to stay white instead of a dull gray, then you’ll probably need to dial in some positive exposure compensation.  The light meter in your camera will see the white dress and think it’s bright, but it isn’t bright–it’s just white!  The camera tends to compensate for this large “bright” spot in the photo and makes the exposure of the dress too dark.  Positive exposure compensation fixes this problem in a jiffy (Thanks Jess Joey)
AWESOME location, isn't it?
Wedding Photography Tip #8:  Rent a second body for wedding insuranceI have personally experienced the horror of a critical equipment failure while shooting a high-dollar event.  It is a sickening feeling to see “ERR:99” on the LCD.  Fortunately, you can rent a second camera body from Borrowlenses.com for next to nothing.  The small price of renting a camera for the wedding is a huge benefit.
Wedding Photography Tip #9: Rent a second body or lens for speed!Not only is it handy to have two camera bodies for a wedding as insurance against gear failure, but it also enables you to have a different lens on each body.  This way you can very quickly switch from telephoto to standard zoom as the wedding party moves around.  Once you’ve tried it, you’ll never go back to shooting just one body.  Fortunately, you can rent the lens and camera body for cheap.  (Thanks Kati Lewis)
Getting two photographers for a wedding makes a big difference in how the day works out!
Wedding Photography Tip #10: Get a second shooterMost new wedding photographers skip hiring a “second shooter” to back them up on wedding days.  If you can possibly make it happen financially, it is definitely worth the money to hire another photographer to work with on the wedding day.  The photos will be better, you’ll have a second set of gear in case of disaster, and you’re extremely unlikely to miss the shot.  (Thanks Gabrielle Walker-Jones)
Wedding Photography Tip #11:  There is an easy (and cheap!) way to hire a second shooterEmail a few local photographers who may be starting out and ask them if they would like to trade services for each other.  You shoot second for them, and they can shoot second for you.
Wedding Photography Tip #12:  Don’t run out of juiceYour batteries–not punch.  One battery is unlikely to make it through the day.  Head over toAmazon.com and spend $20 to get another battery for your camera.  If nothing else, it’s peace of mind!   (Thanks Gaelene Gangel)
Wedding Photography Tip #13: Don’t run out of memoryWhen shooting a wedding, I like to use a camera with dual card slots (like the Nikon D7000, or many high-end cameras) because it allows me to double up on each photo.   Every photo is recorded to both cards.  This is good insurance, but it also uses a lot of memory cards during a wedding.  I’d never shoot a wedding with fewer than 30 gigs of memory cards in my bag.  I almost never shoot that many shots, but I never want to face the situation where I’m panicking about running out.  (Thanks Robert LeBlanc, who is a regular on the Facebook page)
Wedding Photography Tip #14: Don’t miss the bride and her siblings, and the groom and his siblingsThis is often one of the most treasured photos from any wedding, so don’t miss it! (Thanks Barb Siddiqui)
Wedding Photography Tip#15: Don’t try too hardJust be yourself and be personable.  Most people will like you just fine if you’re yourself.  (Thanks Butter Salleh)
Be sure to communicate well with the bride!
Wedding Photography Tip #16: Get out of the wayWedding couples want a photographer who is personable and cheerful, but the day is about THEM and not you.  Make the photography a fun part of the wedding, but be invisible wherever possible.  This is especially true during the ceremony and during the toast.  Give them some space and throw on a longer lens for these moments.  (Thanks Lisa Parker)
Wedding Photography Tip #17: Don’t miss the details!Take a photo of the bride’s ring sitting on the preacher’s Bible, a picture of the buttons on the bride’s dress, a picture of the cake topper, etc.  The bride has spent months preparing every tiny little detail, and she will appreciate photos of each of those things.  I usually like to take photos of the details while the reception hall is being set up because the lights are turned on and it’s easier to get the shot.  (Thanks Kimberly Perry)
Don't miss individual shots of the groom, either!
Wedding Photography Tip #18: Be clear about what is includedYou don’t want to be in the position as the wedding photographer of needing to fight the client after the fact (or during!) with what they have and have not paid for.  Before the event, clearly communicate to them what services you are prepared to offer for the price they pay.  Do you include digital files?  How many hours of work will you shoot?  Are you going to shoot the reception too?  Is there a travel charge?  What prints are included?  Will you do an album?  Provide answers or face the wrath of bridezilla. (Thanks Gaelene Gangel)
Wedding Photography Tip #19: SLOW DOWN!I often here new wedding photographers brag about shooting over 2,000 photos during a wedding.  Every shooter has a different style, but I personally don’t see good results when I do this.  I usually do my best work when I walk away with fewer shots because it means that I worked methodically and slowly.
Wedding Photography Tip #20: Shoot landscape at the venue before the eventThe wedding couple has chosen the venue because they like it.  Show up early to the event and take some nice shots of the venue to include in the wedding album.  Little things can make a big difference.  Also, you can chose to share your photos with the venue owner and you might get some referrals! (Thanks Tom Pickering, who is a regular on the site and frequently comments)
Wedding Photography Tip #21:  If you are taking the photos of the bride and groom on the wedding day, plan on half the time allotted.Weddings always run late.  Always.  It’s as sure as the fact that Uncle Bob will annoy the photographer.  If the bride says they’ll have an hour to do a shoot with you, immediately translate that sentence into half an hour.  Your time to work alone with the bride and groom is precious, so you need to be confident that you can get the shot in only 30 minutes with many weddings. (Thanks Meagan Thompson)
Wedding Photography Tip #22: Plan which family will arrive firstNothing is worse than one photographer trying to conduct two large families for photos.  I like to plan a time for the bride’s family to be there, and shoot their photos, then I’ll have the groom’s family come to shoot everyone together, then I ask the bride’s family to leave while I shoot the groom’s family.  Works like a charm.  The last thing you want is for people to be standing around waiting on you. (Thanks Michaelle Parsons Mulhollan)
Wedding Photography Tip #23: Have the bride appoint a go-to helperHave the couple appoint you someone that knows all the ‘key players’  as your go-to person for questions. Especially helpful during the formal family shots since the bride and groom are in all the shots. They can help point out that uncle or go get grandma from the reception (cause she always manages to leave first to get over there LoL). They are also helpful during the reception to ask questions when you don’t want to bother the new couple. (Thanks Melinda Lutz Ledsome)
Wedding Photography Tip #24: Sticky tape saves the dayTake sticky tape to turn up the groom’s long pants if they are too long and in a puddle round his feet. Turn them up (underneath) and stick down for a better, tailored look.  The tailors at rental tux places always do such a crummy job that the stitching frequently comes out during the day. (Thanks Eleanor Muller)
Wedding Photography Tip #25: Watch for the little, unexpected momentsAlways capture the the moments that are unexpected. beyond what is expected. brides love it when you photographed her sharing a special moment with her parents or a special moment with her new husband. (Thanks Ash Gongora)
Two kids dancing at a wedding
Kids dancing at a wedding
Wedding Photography Tip #26: Let the kids be kids and you’ll be glad you didLet the kids be kids! Some of the best shots of weddings I’ve seen are when kids are doing adorable things rather than being posed. (Thanks Charlotte Walker)
Wedding Photography Tip #27: Think of it as YOUR weddingThink of it as your own wedding–what would YOU want captured…capture that and more. (Thanks Alexandria Wilcox)
Wedding Photography Tip #28: Bring a white sheetPhotographers often want the bride and groom to stand in flower beds, near water, and in other unexpected places.  Brides don’t like to do it because they are worried about their dress getting dirty on the wedding day.  A simple fix is for the photographer to bring a white sheet that the bride can step on to protect the dress.  The sheet is then tucked under the dress and nobody knows!  (Thanks Stacey Knight)
Wedding Photography Tip #29: Stay calm if you want the bride to be calmVery few things could occur on a wedding day than for the bride to see that the photographer is frazzled and appears not to know what he or she is doing.  It doesn’t show much confidence, and you’re likely to make everyone feel uncomfortable and unhappy if you don’t take charge and get things done.  (Thanks Derek Hill)
Wedding Photography Tip #30: Use the environment around the nuptials to the fullest!I’m a huge fan of “framing” in weddings. Shooting through a crowd and having the only thing in focus be the bride and groom makes the viewers feel like they are a part of the action every time they look at it. Shooting through glass, using architecture to frame, people, nature, etc etc. It gives you a super dreamy and romantic look. (Thanks Mandy Drake)
Wedding Photography Tip #31: Get up close during the ceremonyDuring the ceremony stand or squat up by the bride and groom to ensure you get the best picture you can of kiss, rings, etc. (I said sqaut so others can still see.) And do the “new couple” photo between the ceremony and the reception.  (Thanks Elizabeth Smock)
PERFECT action shot for a wedding
Wedding Photography Tip #32: Talk with the pastor first!Different churches have different policies about shooting in the church.  Some churches don’t allow flash photography.  Some churches have restrictions on where the photographer can be during the ceremony, etc.  Ask so you don’t ruffle feathers.  (Thanks Ed Cord, who is a regular on the Facebook page)
Wedding Photography Tip #33: Learn to work with natural lightRemember to pay attention to shadows on faces when using natural light. (Thanks David Vela)
Wedding Photography Tip #34: Have a contractSo many things can go wrong in a wedding and with wedding photography.  Have a contract to protect you from lawsuits and to clearly set out expectations the couple should have for you.  (Thanks Ed Cord)
Wedding Photography Tip #35: Get a timeline for the receptionIt can be easy for the photographer to miss the cake cutting, bouquet throwing, etc.  While photographers are usually good about setting out a schedule with brides for the big things like when the bride/groom photos will be taken, they often forget to work with the bride about when these things will be so they aren’t missed.  This is especially true if you’re shooting solo.  (Thanks Ed Cord, who is a regular on the Facebook page)
Wedding Photography Tip #36: Grand view, or tight crop?When talking to the potential client, find out right off the bat if they like grand scope views or detailed views best. It really helps make the right choice in a pinch when shooting the event. (Thanks Elizabeth Crocker)
Wedding Photography Tip #37: Bring an emergency wedding kitBring an emergency kit with the standard items (pins, tape, stain remover, etc. and also a classy, wooden hanger for the dress shot.  (Thanks Chris McCooey)
Wedding Photography Tip #38: The OTHER three little wordsAsk the bride and groom for just three words to describe their vision of the day, then keep those words in mind as you capture it! If they say “fun”, take every opportunity to “document” a fun moment. If they say “romantic”, keep lighting in mind and snap every sweet moment the newlyweds share that day/night. Yes, you are the photographer, but it is THEIR day. Make your art reflect that! (Thanks Matthew Michaels)
Wedding Photography Tip #39: Don’t let religious differences impact your work
The type of wedding ceremony that you are used to may be completely different in other faiths.  Sometimes photographers get thrown by this and it can affect the photos.  For example, photographers who shoot an LDS wedding shouldn’t be surprised that you can’t photograph the actual ceremony at all!  Photographers who shoot inside a cathedral shouldn’t be surprised if you can’t use flash.  Photographers at a Jewish wedding need to know not to miss the bride breaking the glass.  All religions do things differently and you should be familiar with how the wedding goes, and respect the religious differences (Thanks Rebecca Birrell)
Wedding Photography Tip #40: Pay attention to which kids are whose!Sheryl Turner wrote in “if the children in the wedding aren’t the children of the couple getting married there are no need for a million pics of them doing silly things. I have tons of pictures of our ring bearers who are our cousins. The pictures are cute but I would rather if she took more pics of the ceremony. Which I barely have any.”
Bridals are SOO much fun to shoot!
Wedding Photography Tip #41: Skip the bridals and perish!It is amazing to me how many photographers get so caught up in the details of shooting a wedding that they don’t take any bridals!  Many photographers like to shoot the bride on a day other than the wedding so they have enough time with her.  (Thanks Sheryl Turner)
Wedding Photography Tip #42: Visit the venue before the dayIf possible scope the place out before the wedding that way you know what angles you can get and where you need to be to get the best view. (Kimberly Swaim-Vaughn)
Wedding Photography Tip #43: Tell the bridesmaids to SMILE while the walk down the aisleBefore the ceremony make sure to tell the bridesmaids to SMILE when they are walking down the aisle. You have no idea how many weddings I have shot where the bridesmaids are looking down at the ground and are looking sad. Sometimes they just forget and don’t realize they are being photographed. Remind them! (Thanks Meagan Kunert)
Wedding Photography Tip #44: Attend the rehearsal.Enough said.  Do it.  (Thanks Laura Anderson)
Wedding Photography Tip #45:  Move it!The reason wedding photography is the very hardest type of paid photography is because you have no time to mess with the camera.  It takes experience and skill to know that you have all the technical stuff done right so you can hurry through the event and not miss the shot while you’re doing it.
Wedding Photography Tip #46: Bring a few propsDepending on what style you shoot and the couple prefers, bringing a few props like ring boxes, a large empty picture frame, and  nice hanger for the dress, can make a big difference.  Not only will it help you to get great shots, but it will show the couple that you put some forethought into the event.
Kiss slowly!
Wedding Photography Tip #47: Kiss SLOOOooowlyNo need to encourage a mid-wedding make out, but generally kisses are too short for the photographer to get a few pictures of kissing poses.  Instruct them to kiss slooowly.  They won’t mind :-) (Thanks Jason Craven)
Wedding Photography Tip #48: Get the fathers shotVickie Hanson said, “One of my favorite wedding pictures is of my father and new father in law, standing outside of the church after the ceremony, tuxedo coats off, smoking a cigarette. It was such a natural thing for them and they were so relieved to relax that the picture is perfect!” (Thanks Vickie Hanson)
Wedding Photography Tip #49: Ask the brideAsk the bride what part of her dress she likes the most.  Maybe its the train, maybe its the veil.  Ask her so you can be sure to get the shots of what attracted her to the dress. (Thanks Lyndsey DeSantis, who is a regular on the Facebook page)
Wedding Photography Tip #50: Know your lighting situationIf you visit the location at the same time of day when you’ll be shooting, you’ll be able to see what the light is like so you’ll know what lighting gear you need at each stage of the wedding.  Preparation is key.
Wedding Photography Tip #51: Quiet shutter!Some cameras are equipped with a quiet shutter setting.  You don’t want to fire off 10 frames per second like a machine gun during the “I do” part.  Selecting quiet shutter can make the difference.
Wedding Photography Tip #52: Bring a tripodPortrait photographers usually don’t work from a tripod when shooting on-location, but it can be especially useful for shooting inside a dimly lit church.  Bring a tripod for these situations so you can get a sharp shot even with a slower shutter speed.  Even if you can get away with shooting handheld inside, you might want the tripod so you can use a lower ISO and get cleaner shots. (Thanks Johnny Quattlebaum)
Wedding Photography Tip #53: Shoot the wedding party in black and whiteThere is something about black and white that gives wedding photos a very classy look and feel.  I find that most shots of the reception look better in black and white.  You’ll obviously want to talk with the couple about what photos they like in color, but don’t skip out on the opportunity to use black and white.
Wedding Photography Tip #54: Don’t miss the train!Julieanna Crynn-Goblyn said, “My wedding photographer didn’t get a picture of the train on my dress. 16 years later I’m still annoyed.”
Don't miss the train!
Wedding Photography Tip #55: Be spontaneous as the photographerWhile you need to be organized and prepared to shoot a wedding, you also can get a lot of great shots by being spontaneous and seizing shot opportunities as the ideas come to your mind.  (Thanks Tracy Collyer)
Wedding Photography Tip #56: Invest in a flash bracketInvest in a off camera flash bracket (stroboframe) they are expensive but will make your photos 10 times better (controlling shadow). (Thanks Eric Breault, who is a regular on the Facebook page)
Wedding Photography Tip #57: Seize the perfect moment to relaxAllow yourself a moment to relax when everyone is eating (no one wants photos of that anyway. lol). Maybe look through some of the photos on your camera and delete some really bad ones to make room on your memory card. (Thanks Hannah Vollette-Weymouth, who is a regular on the Facebook page)
Creative posing for wedding photography
Wedding Photography Tip #58: Look around for not-so-obvious anglesMOVE if you can. Walk around and take shots from various angles.   Walk upstairs and shoot down on the wedding party.  During the 1st dance, I walked a circle around the couple. Far away, at first, then moving a little closer on the second circle. It was an incredible effect. But, it is also good for other shots. (Thanks Melody Landrum)
Wedding Photography Tip #59: Take fun photos too!Take fun photos. It doesn’t have to be all serious. Laughter is a wonderful memory. The last one I did was pretty casual. I had the groomsmen and the groom climb a tree and took a wonderful shot. We also did the infamous Charlie’s Angel shot of the bride and her bridesmaids. (Thanks Melody Landrum)
Wedding Photography Tip #60: The one question that is worth more than $5,000 worth of advertisingWhen you deliver the photos to the bride and she’s thrilled with your work, ask “Who else do you know who might need a photographer?”
Wedding Photography Tip #61: Bring a ladder or step stoolBringing a step stool with 3 steps or a short ladder can make a big difference in how the group photos turn out, and you’ll also be able to use it for creative shots of the couple throughout the day.  (Thanks James Mathis II)
Wedding Photography Tip #62: Dress appropriatelyKnow ahead of time how formal the wedding will be, and how you fit into the event.  Some wedding photographers, like David Ziser, like to wear a suit to every wedding.  Other photographers think it is perfectly appropriate to wear slacks and a shirt.  Some female photographers wear a dress, and others wear jeans and a nice polo.  I wouldn’t say that there is one right answer here, but it is worth thinking about beforehand.
Wedding Photography Tip #63: Know the PERFECT recipe for natural light successSince few of your sessions are during the “golden hours” try a solo shot of the bride backlit by the sun. The veil and dress will glow. You’ll need some fill light to bring the detail back into her face. (Thanks Craig Larson)
Wedding Photography Tip #64: Don’t forget to include elderly family membersA young B&G may not be thinking of the eldest of their family elders in their youthful exuberance, but may appreciate a photo that includes them as time goes on. (Thanks Carole Krezman)
Wedding Photography Tip #65: Manage the family snap shootersBy taking a pause now and then to say “I’m going to break for 2 minutes for family members who want to take snap shots with your cameras,” people clue in that there is a time for them to shoot, and a time when you need them out of the way.  It doesn’t add much time, and the cooperation of the snappers is worth it. (Thanks Paul Beggs)
Wedding Photography Tip #66: Tell the bride to hold the flowers lower than what feels comfortable.  It will look better in the photo.Tell the bride and bridesmaids to hold the flowers at belly button level. Otherwise they tend to hold them too high!! (Thanks Michelle Bartholic)
Wedding Photography Tip #67: Give a quick turn-aroundI am a total hypocrite of this one, but getting the photos back to the couple soon after the honeymoon shows you’re on the ball and care about their photos.
Wedding Photography Tip #68: Help another photographer by sharing this post on Pinterest, on Facebook, and on your photo blogs.  I appreciate your support!


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Wednesday, September 25, 2013

Tips For Taking Fall Pictures





Fall is the nature photographer's dream season. We've asked veteran fall color expert Rod Planck for some of his top tips to help you get the best from this season of fiery hues. Source

Use Reflections
Not everybody thinks about using reflections when they have the goal to shoot autumn colors. But using reflections can save a photographer on a bad day. If it's particularly windy or there's harsh sunlight, go into a forest with a shaded stream. Suddenly, the chaos of the wind goes away, the reflection in the water increases the color saturation and beautiful colors can be made. I prefer using a long lens, like the telephoto AF-S Nikkor 300mm ƒ/4D IF-ED lens in this image, to isolate the reflection instead of a wide-angle where you end up chasing the length of the reflection.
Source

The Cam Caddie Scorpion /EX is a Universal Stabilizing Camera Handle and DSLR Support Rig designed for today's new breed of digital cameras. The Scorpion is a hand held stabilizing device and DSLR support rig that will work with virtually any camera.

Be A Weather-Watcher
Planning and scouting your location can have a huge impact on your trip. Don't underestimate the power of a computer and weather apps as general sources, as well as tourism bureaus. Radar maps can mean knowing with confidence that a lunchtime rainstorm will be gone in two hours. But weather reports don't tell you exactly when and where to be, and for that you need to scout. Scouting is something I'd be lost without. For this image of Clear Lake in Ottawa National Forest, I scouted the area 10 days prior to shooting and visited again twice before bringing my camera. I got up at 4 a.m. to get there at just the right time for it to be cool, partially clear and dead-calm for my desired composition. 
Source
Sunrise/Sunset
3 Usually, autumn photography is concentrated on trees and leaves, but sunrise and sunset is a time to focus on the open expanse of sky. There are some trips, or even entire years, when you hit bad weather, but that moment at sunrise could be the best part of your day. A unique sky is always interesting. This image of the moonrise at Grand Sable Dunes focuses on the lack of color, with a pleasant gold band and the graphic autumn tree.
Source

Use Atmosphere
Along with having multiple perspectives and vantage points, atmosphere is a key component for composition. Working near rivers, streams, small lakes and large bodies of water usually assures you that there will be a shot with fog or mist. I have dozens of photos from overlooks when the colors are right on ordinary days. But to make it special, take advantage of the weather conditions. I had been monitoring the weather conditions at Nelson Lake from my computer. When I knew it would be calm and there would be fog, I decided to venture out to the lake for this shot. 
Source

Perspective
With most landscapes, the inspiration for the shot comes from your perspective as you move through the scene. When I think of fall color locations, I don't think of flat areas or just photographing from the highest hill. I want a location with versatile perspectives. I want the ability to be on top of something, but also to stand eye level and have varying compositions. This is an iconic location at the Presque Isle River Kettles in Porcupine Mountains Wilderness State Park in Michigan; the perspective inspired me as I crossed a suspension bridge over the water.
Source

Avoid White Sky On Overcast Days
If I could design the perfect day, the morning would start with not a cloud in the sky and a bit of fog; then, just as the sun gets harsh, clouds would roll in. I love cloudy days because they allow us to stay in the field all day long. But even with in-camera dynamic contrast range, a large area of white sky isn't very interesting without sunlight and can kill the viewer's attention. So on overcast days, I use the phrase, "This is a no-sky zone." This may mean working in an interior, forested area or specifically with more intimate shots. While some small highlights will work, I try to carefully compose my shot in-camera without any sky to avoid intricate post processing. 
Source

Early Fall Color
While some areas of the country have fairly consistent quality and dates for peak autumn colors, sometimes, dates slide around or an entire season may be thrown off by drought. Don't get too keyed into the predicted dates and be at the mercy of peak color. Early greens are magical as they start to pale and become fluorescent with a patchwork of orange. In this image from Hiawatha National Forest, the red maples are already turning bright red, while the smaller sugar maples are still green. The birch trunks and evergreens add diversity and range. Similar to flower photography, don't fret about arriving a little early—the worst-case scenario is getting there late. 
Nikon D3S, AF-S Nikkor 70-200mm ƒ/2.8G ED VR II, Gitzo GT3530LS tripod, Kirk BH-1 ballhead

Get Out Of Your Comfort Zone
There are days when the color is beautiful, but the weather isn't cooperating. With this set of images, I got a shot in just before a breeze started. I didn't feel done with the location, so I decided to take multiple in-camera exposures. My rule when working with multiple exposures is that I still need a subject and a nice composition. I'm not doing something different just for the sake of doing something different. I let the multiple come to me. I used an AF-S Nikkor 70-200mm ƒ/2.8G ED VR II lens with a tripod collar. For each exposure, I rotated the tripod collar and moved the focal length backward. This way, the windy weather didn't get in the way of me capturing the beautiful colors.
Source 

Focal-Length Selection
A person could easily photograph fall color with a good-quality, wide-range zoom lens. A workhorse, such as the 70-200mm, can never be underestimated. But I generally want to cover a range from 24-300mm in either fixed or zoom lenses, and then throw in a couple of specialty lenses, including a macro and a tilt/shift lens, in order to provide variety and leave room for creativity. In this image, I used my AF-S Micro-Nikkor 60mm ƒ/2.8G ED lens. While I could have used another lens, this was a perfect fit for the subject and composition, and allowed me the most creativity in the moment. When it comes to focal length, don't limit yourself. 
Source

It's Not All About The Leaves
It's easy to fixate on the rich color of fall leaves, but autumn is a season of transition for more than just the trees. As the leaves are turning colors, other plants are sprouting seeds and creating a forest full of details. Cattail stalks turn yellow with brown seedheads. Mushrooms of various colors cover the trees. The air changes, letting calm mornings cover the grasses with frost. In the upper Midwest, milkweed pods are an iconic symbol of the season. These pods are dry seeds that split open and disperse through the wind. I caught some of these milkweed seeds with a background of maple color. 
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Thursday, September 19, 2013

Useful camera features that will transform you from beginner to pro


No matter how long you’ve had your digital camera, there’s always something to learn. And if you’ve just bought your first camera body, the learning curve can seem impossibly steep. But it needn’t be a painful slog. In this tutorial we’ll help you get the most from your DSLR by explaining some of the key camera features found on almost every camera body. Learning these camera features early on in your development will ensure you avoid some of the common camera mistakes and get much better shots as a result.

Camera features on the front of your camera body
24 camera features every beginner photographer must memorize
01 Red-eye reduction
To stop the flash bouncing off the subject’s retinas and causing glowing red eyes this lamp will emit a burst of light to make the subject’s pupils shrink before the flash is triggered. The lamp also acts as a handy self-timer countdown indicator.
02 Focusing ring
In Auto Focus mode this ring rotates until the camera has focussed on the subject. In Manual Focus mode you can rotate the focus ring with your hand to focus on a specific subject.
03 Zoom ring
Rotate this ring clockwise to zoom out for a wide-angle view. Rotate it anti-clockwise (counter-clockwise) to zoom in for a close-up on your subject.
04 Flash button
When shooting using the Creative Zone or manual modes you can tell the built-in flash to pop up by pressing here.
05 Focus mode switch
Leave this set on AF (Auto Focus) if you want the camera to control the focusing. Flip the switch to MF (Manual Focus) when you want to control the focus yourself. In MF mode you can still use the AF points in the viewfinder to tell you when the subject is in sharp focus.
06 Image Stabilizer switch
The lens’s IS (Image Stabilizer) is designed to stop blur caused by camera shake (which is especially noticeable when you’re zoomed in on a distant subject. Nikon IS lenses have a similar VR (Vibration Reduction) switch.
07 Built-in microphone
Most cameras such as the Canon 500D (pictured above) can now record video. Sound to go with it is recorded through a microphone like this (though it will also record camera handling noises like the zoom ring being rotated!).
08 Depth of Field preview button
By pressing here, you can get the camera to stop down to the lens’s current aperture setting.  You can then preview how much of the shot 
will be in focus by looking through the viewfinder or by checking the Live View display.

Camera features on the back of your camera body
Camera features on the back of your camera body
01 Aperture/Exposure Compensation button
On Manual mode hold this button down and turn the Main dial to open or close the aperture. In some other modes (like Aperture Value) you can set the camera to open up or close down a stop using this button and the Main dial.
02 AF point selection
Press this button then rotate the Main dial to select which Auto Focus point the camera will use. It also enables you to zoom in on a shot when you play it back on the camera’s LCD.
03 AE Lock button
This button enables you to lock the camera’s exposure once you’ve taken a reading of the scene’s lighting.  You can also use it to zoom out of a shot when viewing it on the LCD in playback mode. It also lets you focus the camera when using Live View.
04 Live View
Press here to display what the camera will capture on the LCD screen.  Most new cameras have a live LCD function, which saves you from having to look through the viewfinder.
05 Cross keys
These cross key buttons allow you to navigate through the camera’s menus and sub-menus.  You can then press the Set button to choose a specific menu setting. Nikon calls these buttons the Multi-selector. Each button also acts as a shortcut to popular functions like WB (White Balance) or AF (Auto Focus).
06 Self-timer
This cross key button lets you change the camera from Single shooting to Continuous shooting mode (or change the self-timer settings).
07 Playback button
The Playback button enables you to review the shots that you’ve captured on the camera’s memory card.
08 Erase button
The universal trashcan symbol lets you delete the file you’re currently viewing on the camera’s LCD screen.
09 Menu button
Click here to access a vast array of menus and sub menus so that you can alter the way it behaves to suit your requirements. This button lets you access and change the Quality settings for example.
Camera features on the top of your camera body
Camera features on the top of your camera body
01 Built-in flash
When there’s not enough available light to capture a decent exposure, your DSLR’s built-in flash can pop-up to shine some light on the situation. In some modes, you may need to pop it up manually. If there’s not enough light for the camera’s Auto Focus to function the flash unit can also produce a burst of light  to help, called an AF-assist beam.
02 Shutter button
Press this button all the way down to capture a shot. Press it half way down to focus and take an exposure reading of the scene’s lighting. Also press here to wake the camera up after it has gone 
into sleep mode.
03 Main Dial
Rotating this dial enables you to manually set the camera’s aperture or shutter speed.  It’s called the Command dial on a Nikon.
04 ISO button
Click here to choose an ISO speed for the camera to use.  You can then use the Main Dial to select a faster ISO speed to make the camera more sensitive to low light.  You can also set the ISO speed manually by going through the menu system on most digital SLRs and many compacts.
05 On/off switch
Turn the camera off when not in use (though it will automatically fall asleep to save power after 30 seconds).
06 Mode Dial
Rotate this dial to choose a shooting mode. The camera will then set the appropriate aperture and shutter speed setting (as well as processing colour in different ways depending on the mode). There are Basic shooting modes for every type of subject (like Portrait or Landscape).
07 Flash hot shoe mount
All DSLRs enable you to mount a more powerful flashgun on top of the camera so that you can illuminate distant subjects (and perform more creative and effective flash-related shots).

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